No. 081, in six platesStreet Basketball

These are photographs in a sun-faded film look, the colour of a holiday print left too long on a dashboard. The sky does most of the work: a flat, chalky teal behind every plate, met by apricot and peach render on the surrounding apartment blocks. Every shot is taken from somewhere near the asphalt, looking up, so the hoop and the player share the sky while the buildings lean in at the edges.

Each plate freezes a different kind of leap. In Crop Top Dunk a young man in a white vest and baggy cream trousers rises toward the rim with one arm high. Mustard Jacket has a player with a tall quiff floating over the court in pale jeans, ball held out like an offering. The two boldest frames belong to a woman with platinum hair: in Scissor Kick a trainer swings straight at the lens, and in Palm Up she climbs past a fringe of summer trees with the ball balanced on one hand.

Because the camera looks upward, the top third of most plates is open sky with a backboard tucked into a corner. On Lean In and Palm Up the hoop sits off to the right, leaving clear teal where the clock goes; on Crop Top Dunk the rim crowds the time a little. Players usually land mid-frame, so a stack of widgets covers a torso rather than a face. Pale skies make white app labels thinner than they would be on a dark picture, which is why tinted or dark icons hold up best on the Home Screen.

It suits pick-up players, sneaker people and anyone who thinks of summer as a colour rather than a season. Crop Top Dunk and Over the Orange House are free in full resolution; the other four are premium, for when the whole team wants to come along.