No. 058, in twelve platesArty Sketchy

These are pen drawings left deliberately unfinished. The ground is warm paper, somewhere between ivory and blush, and the line is a thin black ink that wobbles, overshoots and doubles back the way a real hand does. Red is the only colour allowed in, and it is rationed: a vintage car, a rooftop, a scrawled signature, a hotel sign. Twelve plates, one sketchbook.

Architecture does most of the posing. A gabled apartment block with pointed turrets appears more than once, drawn tight in one plate and loose in another. A narrow building rises floor after floor of wrought-iron balconies to a red HOTEL sign at street level. A grand hotel with red turret roofs floats among stray construction lines. Elsewhere the view tilts up past overhead wires to a vertical hotel sign, a crowd fills the foot of a skyline, and rows of men in suits stroll beneath a Parisian corner building, one of them inked solid black. The odd one out is a single-line face in profile, all brow, nose and lip.

Because almost every drawing sits in the middle or lower half of the frame, the top third is blank paper, a gift for the clock and the date. On the Home Screen the cream ground keeps things bright and airy; dark app labels sit better than white, so this set favours light mode. The skyline and suited-crowd plates carry more detail at the bottom, where the dock will cover a little of it.

Pick these if you keep a sketchbook, love old hotels, or want a phone that feels like good stationery. Scribbled Rooftops, Red Coupe Corner and Red Turrets are free to save in full resolution, and the other nine sketches are premium.